Oops, it now occurs to me that his was not the OP's point initially. and has a fat nut width of just over 1 11/16 inches, a really nice medium neck profile and a scale length of 25 1/2 inches. This 17-inch-wide 'King of the Flat Top Guitars' weighs just 5.60 lbs. #How to gibson j 200 1967 jumbo guitar adjustable saddle full#A ceramic saddle suspended on two screws, coupled to the top plate through brass inserts is a less-than-efficient transmitter.īottom line for me: if the gtr is not some precious, mint, collector-grade example, why not unleash it's full potential? Color: Sunburst, Rating: 9.25, Sold (ID 00543) Call to Inquire: (818) 222-4113. He was thrilled with the documented results (and in this case the bridge plate was retained).Īs I understand the physics of steel-string acoustic gtr construction, the saddle transmits the string vibration to the top plate of the inst. I had one client who was extremely apprehensive about altering the originality of his 45 and him being the owner/operator of a recording studio, I encouraged him to make before and after recordings, exactly duplicating the process. I base my knowledge on my experience in performing more than a few conversions of this nature (during which the oversize, laminated maple bridge plate usually goes into the same trash can as the rest of the bridge parts), and the difference has always been startling. But the sound was thin, and the guitar lost its round, full bottom tone. I am aware of the bracing mass changes that occurred in J-45's, first in the mid-fifties, then again around 1968. I wanted to know what it would sound like with bone. Since you don't want to go this route, I think your best bet at a decent amplified tone is something like the Baggs M1 or M1A.Īt the risk of sounding overly pompous and self-rightous (yeah, right, like I haven't already sealed my reputation here!), you are mistaken to presume that I am "missing" anything. The best option (acoustically as well as electronically) would of course be to replace the bridge and get rid of the threaded inserts, allowing you to use a saddle transducer if you like. I really think you would have a hard time and have to do a lot of custom work on the posts and pickups in order to try your post transducer idea, and I don't know if you could ever expect to get a good balance. The Player Port is an original Gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. The G-200 EC is equipped with a Gibson Player Port. Even if you were to replace the bridge with a standard style, or modify the existing bridge to a standard slot, the bridge plates alone on these can be cause for some unpredictable results with things like K&K's or iBeams. A Revolutionary Take on the Classic Jumbo. You could try one and it may work, but you never really know what you're going to get in the end. Even the soundboard transducers run the risk of yielding very unpredictable results, given the design and points of vibration transfer on these things.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |